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Printed in: Timur Novikov. Catalogue. Moscow. P. 21-23, 2003. The article is dated to 1985, but Novikov’s references to both the “Club of Friends of Vladimir V. Mayakovsky (Клуб друзей В.В. Маяковского) and the Club of Folk Art Lovers (Клуб любителей народного творчества), both founded in September 1986, mean that the article must have be written no earlier than September 1986.

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Web 2 August 2020

For details see Artur Rudzitskiy’s interview with Andrzej Turovskiy from 9 April 2009: Istochnik: “V nekotorykh anketakh 1920-kh godov v grafe „natsional’nost’“ Kazimir Malevich pisal: ukrainets“ https://life.pravda.com.ua/society/2009/04/9/17532/

(E-E) Evgenij Kozlov
(Даже Душа имеет свой вес и объём)
(Even the soul possesses weight and volume)

Reverse, crayon on cardboard, 14.5 x 18.4 cm. Berlin 1955-2020.
The text on the front page is at th top of the page. The full text (front and reverse) is the title of a painting from 2020, a fragment of which can be seen below the cardboard.

Photo: Hannelore Fobo, 2020

Introduction: The ostensibly synchronistic evolution of the New Artists

Part One: The New Artists and the Russian avant-garde

Chapter 1. Timur Novikov: native roots and western influences

Chapter 2. Perestroika, the Mayakovsky Friends Club, and pop art

Chapter 3. E-E Kozlov: Two Cosmic Systems

Chapter 4. ROSTA Windows stencil techniques – updated

Chapter 5. The inclusion or exclusion of stylistic influences

Chapter 6. From Mayakovsky to Larionov and folk art: something of everything

Chapter 7. Beyond the trend: Kozlov’s portrait of Timur Novikov (1988)

Chapter 8. Cosmopolitism and ethnicity: how Russian is the Russian avant-garde?

Chapter 9. Narodnost’: quite simply the people

Part Two: E-E Kozlov and Peterhof

Chapter 10. Fishing at Peter the Great’s pond

Chapter 11. The Petrodvorets Canteen Combine

Chapter 12. Galaxy Gallery

Chapter 13. A perception of pureness

– Works cited –