(E-E) Ev.g.e.n.i.j ..K.o.z.l.o.     Berlin                                                  


      (E-E) Evgenij Kozlov: Leningrad 80s >>

(E-E) Evgenij Kozlov
“Новая Классика • New Classicals.”

Works on canvas and bus stop signs, 1989/1990
Pictures and documentation: Hannelore Fobo, 2019

Page 1: Introduction
Page 2: Kozlov's Text from 1993
Page 3: Studio Views
Page 4: Silkscreen Prints, 1995-1997
Page 5: Exhibitions




(E-E) Evgenij Kozlov
New Classicals • Exhibitions: Palace Bridge, Leningrad, 1990


The First Exhibition on Palace Bridge, Leningrad 1990 more>> Left: Detail of the exposition with five works from Kozlov's “New Classicals” cycle: Love for the Earth (1990), Love for the Earth (1989), Love for Work (1990), Love for the Wonderful (1990), Love for the Wonderful (1989) (E-E) Evgenij Kozlov. The exhibition also displayed six works from his “Collection 2x3m”, as well as several other works. Photo: Hannelore Fobo


The First Exhibition on Palace Bridge, Leningrad 1990 more>>
Left:
Detail of the exposition with five works from Kozlov's “New Classicals” cycle:
Love for the Earth (1990, The Centre Pompidou Collection), Love for the Earth (1989), Love for Work (1990),
Love for the Wonderful (1990), Love for the Wonderful (1989)
Top: (E-E) Evgenij Kozlov.
The exhibition also displayed six works from his “Collection 2x3m”, as well as several other works.
Photo: Hannelore Fobo



Studio “Gold and Silver”, Fontanka 145, Leningrad, 22 July 1990 Ivan Movsesyan (left) and Andrey Gamayun preparing the exhibition on Palace Bridge Painting on the floor: (E-E) Evgenij Kozlov “Love for Work”, 1990, from the cycle "New Classicals" Photo: Hannelore Fobo

Studio “Gold and Silver”, Fontanka 145, Leningrad, 22 July 1990
Ivan Movsesyan (left) and Andrey Gamayun
preparing the exhibition on Palace Bridge
Painting on the floor: (E-E) Evgenij Kozlov “Love for Work”, 1990,
from the cycle "New Classicals"
Photo: Hannelore Fobo more>>



Palace Bridge, Leningrad, 23 July 1990 Andrey Gusev and (E-E) Evgenij Kozlov preparing the exhibition Painting on the floor: (E-E) Evgenij Kozlov “Love for the Earth”, 1990, from the cycle "New Classicals" Photo: Hannelore Fobo

Palace Bridge, Leningrad, 23 July 1990
Andrey Gusev and (E-E) Evgenij Kozlov preparing the exhibition
Painting on the floor: (E-E) Evgenij Kozlov “Love for the Earth”, 1990,
from the cycle "New Classicals"
Photo: Hannelore Fobo more>>



Palace Bridge, Leningrad, 23 July 1990 Andrey Gusev and Vladislav Mamyshev-Monroe preparing the exhibition Paintings on the floor: (E-E) Evgenij Kozlov “Love for the Earth”, first and second versions 1989 / 1990, from the cycle "New Classicals" Photo: Hannelore Fobo

Palace Bridge, Leningrad, 23 July 1990
Andrey Gusev and Vladislav Mamyshev-Monroe preparing the exhibition
Paintings on the floor: (E-E) Evgenij Kozlov “Love for the Earth”,
first and second versions 1989 / 1990, from the cycle "New Classicals"
Photo: Hannelore Fobo more>>



Palace Bridge, Leningrad, 23 July 1990 Top of central column of exhibits with a work by Georgy Guryanov and Kozlov's work “Love for the Earth” (second version) from the "New Classicals" cycle. Photo: Hannelore Fobo

Palace Bridge, Leningrad, 23 July 1990
Top of central column of exhibits with a work by Georgy Guryanov and Kozlov's work “Love for the Earth” (second version) from the "New Classicals" cycle.
Photo: Hannelore Fobo more>>



Palace Bridge, Leningrad, 23 July 1990 (E-E) Evgenij Kozlov and Vladislav Mamyshev-Monro posing for a picture taken by Rinad Akhmetin. Central column of exhibits with five works from from the cycle "New Classicals" Photo: Hannelore Fobo

Palace Bridge, Leningrad, 23 July 1990
(E-E) Evgenij Kozlov and Vladislav Mamyshev-Monro posing for a picture taken by Rinad Akhmetin.
Central column of exhibits with five works from from the cycle "New Classicals"
Photo: Hannelore Fobo more>>



(E-E) Evgenij Kozlov
New Classicals Exhibitions: Mücsarnok, Budapest, 1990

Exhibition catalogue A PÉTERVÁRI ÚJAK – FIATAL LENINGRÁDI KÉPZÖMÜVÉSZEK THE NEW FROM PETERSBURG • YOUNG ARTISTS FROM LENINGRAD MÜCSARNOK, BUDAPEST, HÖSEK TERE 1 August–2 September,1990 The Müscsarnok exhibition catalogue has a reproduction of Kozlov's work Love for the Earth – the “Night” version from 1989.


Exhibition catalogue
A PÉTERVÁRI ÚJAK – FIATAL LENINGRÁDI KÉPZÖMÜVÉSZEK
THE NEW FROM PETERSBURG • YOUNG ARTISTS FROM LENINGRAD
MÜCSARNOK, BUDAPEST, HÖSEK TERE
1 August–2 September,1990
The Müscsarnok exhibition catalogue has a reproduction of Kozlov's work Love for the Earth – the “Night” version from 1989.



(E-E) Evgenij Kozlov
New Classicals Exhibitions: Exhibition Halls of the Leningrad Organization of the Union of Artists (LOSKh), 1990

Exhibition Halls of the Leningrad Organization of the Union of Artists (LOSKh), 1990 “Tenderness and Virility. I Love California” («Нежность и Мужественность. Я люблю Калифорнию») On the rear wall “Love for the Wonderful” (1989, first version) and "Love for the Earth“ (1989, first version) from the cycle "New Classicals" Video frame from Yuris Lesnik's video

Exhibition Halls of the Leningrad Organization of the Union of Artists (LOSKh), 1990
“Tenderness and Virility. I Love California”
(«Нежность и Мужественность. Я люблю Калифорнию»)
On the rear wall “Love for the Wonderful” (1989, first version) and "Love for the Earth“ (1989, first version) from the cycle "New Classicals"
Video frame from Yuris Lesnik's video more>>



Exhibition Halls of the Leningrad Organization of the Union of Artists (LOSKh), 1990 “Tenderness and Virility. I Love California” («Нежность и Мужественность. Я люблю Калифорнию») Love for the Wonderful (1989, first version) left: Valery Alakhov, right: Timur Novokov  Video frame from Yuris Lesnik's video

Exhibition Halls of the Leningrad Organization of the Union of Artists (LOSKh), 1990
“Tenderness and Virility. I Love California”
(«Нежность и Мужественность. Я люблю Калифорнию»)
Love for the Wonderful (1989, first version)
left: Valery Alakhov, right: Timur Novokov

Video frame from Yuris Lesnik's video more>>




(E-E) Evgenij Kozlov
New Classicals Exhibitions: Kampnagel, Hamburg, 1991

“Der Weg der Ockerfarbenen Elefanten”, Kampnagel, Hamburg, 1991. From (E-E) Evgenij Kozlov's cycle “New Classicals” Left: Love for Work, oil on canvas, 2x3 m, 1990 Right: Love for the Earth, oil on canvas, 2x3 m, 1990 now in The Centre Pompidou Collection Photo: Hannelore Fobo

“Der Weg der Ockerfarbenen Elefanten”, Kampnagel, Hamburg, 1991.
From (E-E) Evgenij Kozlov's cycle “New Classicals”
Left:
Love for Work, oil on canvas, 2x3 m, 1990
Right:
Love for the Earth, oil on canvas, 2x3 m, 1990
now in The Centre Pompidou Collection
Photo: Hannelore Fobo




(E-E) Evgenij Kozlov
New Classicals Exhibitions: Kampnagel, Hamburg, 1991. Press review

Hamburger Abendblatt, 12. 8. 1991 “Leningrader Untergrund” Press review “Der Weg der Ockerfarbenen Elefanten”, Kampnagel, Hamburg, 1991. Picture: (E-E) Evgenij Kozlov Love for the Wonderful

Hamburger Abendblatt, 12. 8. 1991
"Leningrader Untergrund”
Press review “Der Weg der Ockerfarbenen Elefanten”, Kampnagel, Hamburg, 1991.
Picture:
(E-E) Evgenij Kozlov Love for the Wonderful, 1990




(E-E) Evgenij Kozlov
New Classicals Exhibitions: Kampnagel Hamburg, 1991

(E-E) Evgenij Kozlov at the exhibition “Der Weg der Ockerfarbenen Elefanten”, Kampnagel, Hamburg, 1991. Among the exhibits: four objects painted on bus stop signs, presented on supporting stands Left: “Lenin Boulevard” from the series “ART from the USSR / ART for the USA“ (1988). The other three objects on bus stop signs are from the “New Classicals” cycle (1989/1990) Photo: Hannelore Fobo

(E-E) Evgenij Kozlov at the exhibition “Der Weg der Ockerfarbenen Elefanten”, Kampnagel, Hamburg, 1991.
Among the exhibits: four objects painted on bus stop signs, presented on supporting stands
Left: “Lenin Boulevard” from the series “ART from the USSR / ART for the USA“ (1988).
The other three objects on bus stop signs are from the “New Classicals” cycle (1989/1990)
Photo: Hannelore Fobo




(E-E) Evgenij Kozlov
New Classicals Exhibitions: Théâtre de Cherbourg, France, 1991

Exhibition “Le Passage des Éléphants Ocre”, Théâtre de Cherbourg, 1991 Love for the Earth, (second version, The Centre Pompidou Collection) 1990 Video frame from (E-E) Evgenij Kozlov's video

Exhibition “Le Passage des Éléphants Ocre”, Théâtre de Cherbourg, 1991
Love for the Earth, (second version, The Centre Pompidou Collection) 1990
Video frame from (E-E) Evgenij Kozlov's video




Exhibition “Le Passage des Éléphants Ocre”, Théâtre de Cherbourg, 1991 Love for the Wonderful, (second version) 1990 Video frame from (E-E) Evgenij Kozlov's video

Exhibition “Le Passage des Éléphants Ocre”, Théâtre de Cherbourg, 1991
Love for the Wonderful, (second version) 1990
Video frame from (E-E) Evgenij Kozlov's video




Exhibition “Le Passage des Éléphants Ocre”, Théâtre de Cherbourg, 1991 Love for the Work, 1990 Video frame from (E-E) Evgenij Kozlov's video

Exhibition “Le Passage des Éléphants Ocre”, Théâtre de Cherbourg, 1991
Love for the Work, 1990
Video frame from (E-E) Evgenij Kozlov's video




(E-E) Evgenij Kozlov
New Classicals Exhibitions: Théâtre de Cherbourg, France, 1991. Press review in Ouest-France

Exhibition “Le Passage des Éléphants Ocre”, Theatre de Cherbourg, 1991, press review “Les éléphants passent et ne se ressemblent pas” Ouest-France Picture: (E-E) Evgenij Kozlov with his painting Love for the Wonderful captions: Koslov: unique, cosmique et mystique

Exhibition “Le Passage des Éléphants Ocre”, Théâtre de Cherbourg, 1991, press review "Les éléphants passent et ne se ressemblent pas” Ouest-France
Picture: (E-E) Evgenij Kozlov with his painting Love for the Wonderful
captions: Koslov: unique, cosmique et mystique




(E-E) Evgenij Kozlov
New Classicals Exhibitions: Gare de l'État, Nantes, France 1991

Festival "Les Allumées”, exhibition “Nevski Prospekt Underground”, Gare de l'État, Nantes, France 1991 Left: Love for the Wonderful, first version, 1989 Right: Love for the Earth, first version, 1989 Video frame from (E-E) Evgenij Kozlov's video

Festival "Les Allumées”, exhibition “Nevski Prospekt Underground”,
Gare de l'État, Nantes, France 1991
Left: Love for the Wonderful, first version, 1989
Right: Love for the Earth, first version, 1989
Video frame from (E-E) Evgenij Kozlov's video

(E-E) Evgenij Kozlov
New Classicals Exhibitions: Gare de l'État, Nantes, France 1991. Press Review.

Exhibition “Les Allumées” – Newski Prospekt Underground”, Nantes, 1991., press review “Retour vers le futur. Newski Prospekt underground à la gare de l'État”, Ouest-France? Picture with (on the right) (E-E) Evgenij Kozlov's work Love for the Wonderful

Exhibition “Les Allumées” – “Newski Prospekt Underground”, Nantes, 1991. Press review "Retour vers le futur. Newski Prospekt underground à la gare de l'État”, Ouest-France?
Picture with (on the right): Love for the Wonderful, (first version) 1989




(E-E) Evgenij Kozlov
New Classicals Exhibitions: Galerie im Hof, Lübeck, 1992

Art iz CCCP, Galerie im Hof, Lübeck, 1992 Love for the Wonderful (second version) 1990 Handbags from the series ART from the USSR / ART for the USA. Photo: Hannelore Fobo

Art iz CCCP, Galerie im Hof, Lübeck, 1992
Love for the Wonderful (second version) 1990
Handbags from the series
ART from the USSR / ART for the USA more>>
Photo: Hannelore Fobo




(E-E) Evgenij Kozlov
New Classicals Exhibitions: Muzeum Sztuki, Lodz, 2016

Exhibition catalogue “Notes from the Underground”, ed.by David Crowley and Daniel Muzyczuk Exhibition view at the Muzeum Sztuki, Lodz, 2016, with the “Leningrad” room. Left: Videoclip by Joanna Stingray with the band KINO, on the right paintings by (E-E) Evgenij Kozlov. Centre: “Love for Work” from the New Classicals cycle Object: “Utiugon” by Timur Novikov and Ivan Sotnikov

Exhibition catalogue “Notes from the Underground”, ed.by David Crowley and
Daniel Muzyczuk
Exhibition view at the Muzeum Sztuki, Lodz, 2016, with the “Leningrad” room.
Left: Videoclip by Joanna Stingray with the band KINO, on the right paintings by (E-E) Evgenij Kozlov. To the left of the screen: “Love for Work” from the New Classicals cycle
Object: “Utiugon” by Timur Novikov and Ivan Sotnikov
more>>




(E-E) Evgenij Kozlov
New Classicals Exhibitions: Muzeum Sztuki, Lodz, 2016

Exhibition “Notes from the Underground”, curated by David Crowley and Daniel Muzyczuk Exhibition view at the Muzeum Sztuki, Lodz, 2016, with the “Leningrad” room. Daniel Muzyczuk looking towards the video screen right: (E-E) Evgenij Kozlov. Centre: “Love for Work” from the New Classicals cycle Object: “Utiugon” by Timur Novikov and Ivan Sotnikov Photo: Hannelore Fobo

Exhibition “Notes from the Underground”, curated by David Crowley and
Daniel Muzyczuk
Exhibition view at the Muzeum Sztuki, Lodz, 2016, with the “Leningrad” room.
Daniel Muzyczuk looking towards the video screen
right: (E-E) Evgenij Kozlov. Centre: “Love for Work” from the New Classicals cycle
Object: “Utiugon” by Timur Novikov and Ivan Sotnikov
Photo: Hannelore Fobo
more>>




Page 1: Introduction
Page 2: Kozlov's Text from 1993
Page 3: Studio Views
Page 4: Silkscreen Prints, 1995-1997
Page 5: Exhibitions

Uploaded 7 April 2019
Last updated 1 Dcember 2020