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(E-E) Evgenij Kozlov: Exhibitions >>
Exhibition NEVSKI PROSPEKT UNDERGROUND
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Page 1: Exhibition NEVSKI PROSPEKT UNDERGROUND: Introduction
Gare de l‘état, Nantes 14.10.1991 to 19.10.1991 Opening 15. 10. 1991 |
Text: Hannelore Fobo 2019 • Pictures: (E-E) Evgenij Kozlov and Hannelore Fobo 1991
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Invitation card
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Invitation card "NEVSKI PROSPEKT UNDERGROUND" VERNISSAGE GARE DE L‘ETAT Bd de la Prairie au Duc - Nantes - Mardi 15 Octobre - 21 h 00 |
Les Nécroréalistes [Evgeny Yufit, Vladimir Kustov, Sergei Barikov / Serp, Valery Morozov] - Afrika [Sergei Bugaev] - Enver - Le parti des hommes libres [The Party of Free Men, Oleg Maslov. Oleg Zaika, Alexei Kozin] - Bella Matveeva - Victor Kusnietsov - Evgueni Kozlov [(E-E) Evgenij Kozlov] - Collection 2x3 - Hannelore Fobo Dans le cadre des manifestations ‘Musées en Fête - Octobre au Musée', le musée des Beaux-Art de Nantes proposera une projection géante sur la gare de l'état des Chefs d‘Oeuvres Russes de ses collections. Cette exposition bénéficie du soutien des étudiants de Sup de Co Nantes Atlantique Ouvert du 14 au 19 octobre - de 18h à 6h du matin |
Невский Проспект Андергаунд Некрореалисты - Африка [Сергеи Бугаев] - Енвер - Партия Свободных Мужчин [Олег Зайка, Олег Маслов, Алескей Козин] - Белла Матвеева - Евгений Козлов - Коллекция «2х3м» - Ханнелоре Фобо |
The exhibition "Nevski Prospekt Underground" was the visual art section of the Leningrad / Saint Petersburg edition of Les Allumées see introduction to Les Allumées Nantes/ Saint Petersburg >>. It brought together some of the most important independent Leningrad artists and artist groups from the late 1980s, among them the New Artists and the Necrorealists. Patricia Solini, curator from the French side, worked together with Michail Trofimenkov. Trofimenkov, born in Leningrad in 1966, had written a text for the first official Leningrad exhibition of the "New Artists" in 1988 and was friends with many artists from the Leningrad sub-culture, but another essential asset was his knowledge of French. Trofimenkov was familiar with French culture, especially cinema, and later became a leading Russian film reviewer. |
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The festival committee, CRIC Nantes, decided to use a former train station as exhibition venue – the "gare de l'état" or State railway station at Nantes. The large three-storey building, erected at the end of the nineteenth century in a neoclassical style, had been closed in 1980 and earmarked for demolition, but public protest stopped the plan. After careful restoration in the 1990s, it has since become the "House of Unions". "Nevski Prospekt Underground" mainly used the station‘s ground floor premises. Larger and smaller halls and corridors allowed to give artist groups or individual artists separate areas, and some of the walls were broken to make for additional passages. Enver Baikev, Bella Matveeva more and Sergei Bugaev (Afrika) each presented individual positions. Photographer Vladimir Peshkov and myself each showed documentations of the Leningrad art-scene. Peshkov is mentioned in the catalogue, but not in the invitation card, and perhaps his pictures about the "Saigon" café, a legendary meeting place of the Leningrad underground scene (closed in 1989), were displayed at another festival venue. Our archive has no documentation of Peshkov's photos. My pictures were shown in two different areas of the gare de l‘état. A selection of my artists' portraits from 1990 / 1991 could be seen in a room on the upper floor of the building, while my documentation of the first exhibition on Palace Bridge (Leningrad, 22-23 July 1990), was displayed next to the collection "2x3m". This was a matter of logic: as mentioned above, the first exhibition on Palace Bridge was also the first exhibition of the "2x3m" more >>. Now, at Nantes, these photographs were close to "Zodiac", my own work for this unique collection, placed next to one of Mamyshev-Monroe‘s 2x3m painting. In 1990, Kozlov had invited me to make a contribution for the exhibition on Palace Bridge, but on the day of the exhibition, the oil paint I used was not yet entirely dried (in 1990, acryllic paint still was very difficult to get in Leningrad). "Zodiac" was therefore displayed for the first time in Nantes. As Kozlov created "2x3m" as a collection of Russian art, he later decided to make up – within the collection – a separate section with some international contributions, to which "Zodiac" now belongs. |
Russkoee Polee / The Russian Field, studio of (E-E) Evgenij Kozlov, Leningrad,1990 Hannelore Fobo painting "Zoodiac", her work for Kozlov‘s collection "2x3m". Two other works "2x3m" exhbited at "nevski Prospekt Underground" are on the wall. Left: Ivan Sotnikov " Christmas Smile", right: Elena Bogdanova (Nika) "Sunspot". |
Although the exhibition opened on 14 October, the official opening took place one day later, on 15 October, 9.00 p.m. On that evening, the Art Museum of Nantes (musée des Beaux-Art de Nantes) projected works by Russian artists from its collection onto the façade of the gare de l‘état. |
Les Allumées – Nantes/Saint Petersburg, 1991 "Nevski Prospekt Underground." Opening, 15 October 1991 On the wall: (E-E) Evgenij Kozlov's painting "The Great Le-ye-nin" oil on canvas, 3x2m, 1990 |
Les Allumées – Nantes/Saint Petersburg, 1991 "Nevski Prospekt Underground." Projection on the façade of the gare de l'état, 16 October 1991 Sonia Delaunay "Nu Jaune", 1908, from the collection of Musée d'arts de Nantes |
Les Allumées – Nantes/Saint Petersburg, 1991 "Nevski Prospekt Underground." Projection on the façade of the gare de l'état, 16 October 1991 Marc Chagall "Le cheval rouge", 1938, Collection Musée nationale d'art moderne, Paris, stored at the Musée d'arts de Nantes |
In order to document the festival in general and the exhibition in particular, Kozlov used his Bauer VHS video camera, while I took pictures with a Pentax camera and a 35mm slide film, but we also exchanged the cameras to film each other. Most exhibits appear in the video at one point or another, but the documentation might not be exhaustive. At least with respect to the collection "2x3m" this can be said for works by Nikolaev, Savchenkov see 2x3m (1990), Strelnikov, and Luthe, whose names are in the catalogue, although it is now impossible to say whether they were actually displayed. Sadly, the circumstances of the exhibits returning to Saint Petersburg led to the loss of both works by Vladislav Mamychev-Monroe from the collection "2x3m". Read the details here >> |
Les Allumées – Nantes/Saint Petersburg, 1991 Article by Bernard Martin about "Nevski Prospekt Underground." Ouest-France, 17 October 1991 On the wall: (E-E) Evgenij Kozlov's painting "Love for the Wonderful" from the cycle "New Classicals", oil on canvas, 3x2m, 1990 |
Uploaded 12 December 2019 Last updated 3 February 2020 |
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